For this project, I explored the numerous representations of militarism and nationalism in mainstream media. To be more specific, I went through the works of pop stars Lady Gaga, Lana Del Rey, and Marina & The Diamonds in order to extract and analyze the pro-war depictions that are claimed to be artistic.
Within this framework, I analyzed the normalization, glamorization and celebration of U.S. militarism and nationalism. Furthermore, given both concepts’ link to consumerism, I examined the way in which such art form is able to reach an incredible amount of people through its global visibility and attractiveness; repeating specific kinds of images, it erases the negative connotation usually associated with violence, and even goes as far as giving it an appeal in popular culture.
Lady Gaga and Beyoncé have been the face of mainstream feminism for many years now, and the attention their work has gotten both from scholars and media outlets is astonishing. That being said, what happens when we take a deeper look into their feminisms, and compare and contrast academics’ reviews of their aestheticized representations? As we delve into such questioning, let us begin with a feminist analysis merging both idols, followed by a divided inquiry of their respective artistic content, only to return to a joined examination of their material on the basis of neoliberalism. Within this framework, my analysis will be delivered through an identitarianist and post-structuralist lens.
Spending its twelfth day atop iTunes worldwide and knocking off Lemonade‘s previous 2016 record for a female artist, the country-influenced Joanne officially scores Gaga her 4th #1 album this decade, but most importantly, it secures its spot as Gaga’s ripest record yet. Undoubtedly, our girl Stefani finally wrote the album she was born to perform.
Lady Gaga’s new single has been out since Friday & has already topped the iTunes charts in more than 60 countries, a perfect delusion given that it has barely sold 100K in the US. Oh wow, no negativity on this site thank u.
Produced by Kevin Parker, Mark Ronson, BloodPop & the Gags herself – no typo detected – Perfect Illusion is everything we ever wanted: no glitz, no glam, just a rockstar.
Last night, August 28th, took place the 2016 MTV Video Music Awards at Madison Square Garden in good old New York. From Britney to Ariana, to Beyoncé to Rihanna, the show was tremendously greater than last year’s, to which the headliners weren’t as thrilling. The top 6 contenders lead on a tight altercation, but the results are in.
It was quite hard to contain my excitement when this gasp worthy event hit me. As Alyssa Edwards would say, not on tonight!
The cast of Rupaul’s Drag Race All Stars II basically decided to attend the 2016 VMAs & suck the soul out of my body. Not only did they get to promote the show, but also was it a clever way to infiltrate pop culture & push the art of drag one step closer to mainstream status.
Do you ever watch an amazing movie but you know you’re late as fuck? Yea, that’s me right now. I had time to kill on the plane so I watched Deadpool: a movie I had put down as yet another predictable blockbuster, but turned out to be quite interesting on many levels. It’s kinda known for it’s semi-avant-garde approach – & I insist on the semi part – so I guess I’m really just two thousand & late. What, don’t like my 2009 Fergie reference? Fuck off while I pump my lady lumps to My Humps.